CD Albums
The albums are available as classical CDs, as interactive multimedia ebooks containing audible, clickable tracks, images, texts and partially videos as well as listening online directly.
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Recorded at Propsteikirche St. Trinitatis Leipzig.
Music by Frescobaldi, Weckmann, Pachelbel, Bach, C.P.E. Bach, Rinck and Mendelssohn from the Heilandskirche Potsdam-Sacrow.
Sorbian Organ Music
Click on the title names for audio samples.
| Korla Awgust Kocor (1822–1904) | ||
| 1 | Finalsatz des Oratoriums „Israelowa zrudoba a tróšt / Israels Leid und Trost“ | |
| 2 | Schlusssatz des ersten Teils des Oratoriums „Israelowa zrudoba a tróšt / Israels Leid und Trost“ | |
| Georg Böhm / Johann Crüger (1661–1733 / 1598–1692) | ||
| 3 | Partita über den Choral „Ach wie nichtig, ach wie flüchtig“ von Johann Crüger | |
| Ulrich Pogoda (*1954) | ||
| 4 | Confiteor Deo omnipotenti | |
| 5 | Psalmfantasie I | |
| 6 | Psalmfantasie II | |
| Felix Bräuer (*1988) | ||
| Friedensgebet (II) | ||
| 7 | Invocation | |
| 8 | Contemplatio | |
| 9 | Redeuntes | |
| Jan Cyž (*1955) | ||
| 10 | ...er Sa(h) tie(f)... für Orgel und Friedemann Böhme | |
| 11 | qui für Orgel und Stefan Kießling | |
| Jan Paul Nagel (1934–1997) | ||
| 12 | Variationen für Orgel über eine alte sorbische Georgslegende | |
Recorded at the Vleugels organ,
Catholic Provost church St. Trinity, Leipzig, Germany; September
2022.
https://www.propstei-leipzig.de
75‘39'' total playing time. Detailed accompanying booklet in English, Upper Sorbian, Lower Sorbian and German with texts by the composers as well as by Ekkehard Krüger and Stefan Kießling.
To order please click here: Sorbische Kulturinformation
In Portu Sacro — Mit der Wegscheider-Orgel durch die Zeiten
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Click on the title names for audio samples.
| Girolamo Frescobaldi (1583–1643) | ||
| 1 | Toccata Decima aus dem Zweiten Buch der Toccaten, Canzonen etc. von 1637 | |
| 2 | Bergamasca | |
| Matthias Weckmann (1616–1674) | ||
| 3 | Toccata a-Moll | |
| 4 | Partita über „Die lieblichen Blicke“ | |
| Johann Pachelbel (1653–1706) | ||
| 5 | Ciacona in f | |
| Johann Sebastian Bach (1685–1750) | ||
| 6–7 | Präludium und Fuge A-Dur, BWV 536 | |
| Carl Philipp Emanuel Bach (1714–1788) | ||
| Sonata in g, H 87/Wq 70,6 | ||
| 8 | Allegro moderato | |
| 9 | Adagio | |
| 10 | Allegro | |
| Johann Christian Heinrich Rinck (1770–1846) | ||
| Flöten-Concert F-Dur | ||
| 11 | Allegro maestoso | |
| 12 | Adagio | |
| 13 | Rondo. Allegretto | |
| Felix Mendelssohn Bartholdy (1809–1847) | ||
| 14 | Variationen über den Choral „Wie groß ist des Allmächt'gen Güte“, MWV W 8 | |
Recorded at the Wegscheider organ, Heilandskirche Potsdam-Sacrow, Germany; September
2021.
www.heilandskirche-sacrow.de
77‘38'' total playing time. Detailed accompanying booklet in German (print) and English (online) with text by Reinhard Beyer and Ekkehard Krüger, pictures, organ photos, organ disposition.
Felix Mendelssohn Bartholdy Six Sonatas for the Organ Op. 65
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| Sonate Nr. 1 f-Moll | ||
| 1 | Allegro moderate e serioso | |
| 2 | Adagio | |
| 3 | Andante. Recitativo | |
| 4 | Allegro assai vivace | |
| Sonate Nr. 2 c-Moll | ||
| 5 | Grave | |
| 6 | Adagio | |
| 7 | Allegro maestoso e vivace | |
| 8 | Fuga. Allegro moderato | |
| Sonate Nr. 3 A-Dur | ||
| 9 | Con moto maestoso | |
| 10 | Andante tranquillo | |
| Sonate Nr. 4 B-Dur | ||
| 11 | Allegro con brio | |
| 12 | Andante religioso | |
| 13 | Allegretto | |
| 14 | Allegro maestoso e vivace | |
| Sonate Nr. 5 D-Dur | ||
| 15 | Andante | |
| 16 | Andante con moto | |
| 17 | Allegro maestoso | |
| Sonate Nr. 6 d-Moll | ||
| 18 | Choral mit Variationen | |
| 19 | Fuga. Sostenuto e legato | |
| 20 | Finale. Andante | |
Recorded at the historic romantic Friedrich-Ladegast-organ St Johannis Wernigerode, Germany.
77‘ total playing time. Detailed accompanying booklet in German and English with text by Ekkehard Krüger, pictures, organ photos, organ disposition. The e-book contains also two video clips.
Stefan Kießling spielt | plays Bach
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| 1–2 | Toccata and Fugue in d-minor, BWV 565 | |
| Sonata No. 3 in d minor, BWV 527 | ||
| 3 | Andante | |
| 4 | Adagio e dolce | |
| 5 | Vivace | |
| 6–7 | Prelude and Fugue in D-major, BWV 532 | |
| Sechs Choräle von verschiedener Art, BWV 645-650 („Schübler Chorales“) | ||
| 8 | Wachet auf, ruft uns die Stimme | |
| 9 | Wo soll ich fliehen hin | |
| 10 | Wer nur den lieben Gott läßt walten | |
| 11 | Meine Seele erhebt den Herren | |
| 12 | Ach bleib bei uns, Herr Jesu Christ | |
| 13 | Kommst du nun, Jesu, vom Himmel herunter | |
| 14–15 | Fantasy and Fugue in g-minor, BWV 542 | |
Recorded at the Alexander Schuke organ in the hall of the Nizhny Novgorod State Conservatory and at the Hugo Mayer organ in the Kirov Organ and Chamber Music Hall, Russia.
62‘16“ total playing time. Detailed accompanying booklet in German/English/Russian with text by Ekkehard Krüger, pictures, organ photos, organ dispositions.
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